Wish

Parts Gallery, Toronto

Oct 14 to Nov 7, 2010

The subtly textured portraits are done with acyclic on linen and oil on wood. Invoking static and strained moments, they play on density and rhythm to create frayed and discomforting images. Although they owe something, in a strictly figurative sense, to the glossy world of fashion and advertising, the sheen of that world is completely eroded, leaving a roughness that's marked out in harsh lines at the base of the image. These are then accented by a build up of bright and inviting colours. Her brush work is often a combination of lashing and imprinting, creating sometimes dangling details and at others jarring blocks of colour that decompose the forms

Matthew Purvis, blogTO, 2010

Judith Geher

Judith Geher